Chinua Achebe’s short story “Dead Men’s Path,” follows
Michael Obi’s experience as headmaster of Ndume Central School. Achebe explores
a variety of themes and ideas in this piece such as ambitious intentions versus
actuality, modernism versus tradition, literal life versus spirituality,
vainness’ tendency to be problematic and finally missionaries versus native
people.
The exposition of the piece describes a scene featuring
Michael and his wife Nancy. The two discuss his new job. Nancy appears vain and
selfish with actions such as acting out magazine articles. She is described
as being “infected by…passion for ‘modern methods.’” Michael shares this
obsession with modern life and can be inferred as representing white European
ideals. Obi is described as “energetic” and possesses “enthusiasm” regarding
his job. His ambitions are vast and focused on reforming the “narrow views of
[the] older and often less educated” (10 Modern Africa as the Crossroads of Culture) villagers.
Michael Obi sets off to make over the Ndume School and
creates beautiful flower beds that contrasted and “marked out the carefully
tended school compound from the rank neighborhood bushes.” Obi hopes to
beautify and make modern Ndume but a village pathway interferes with its
grounds. The pathway extends from a shrine to a cemetery and Michael is
“[amazed]” (11 Modern…) that the village people are permitted by the school to
continue this passing through practice. He is concerned with keeping up
appearances and fears the judgment of the Government Education Officer.
The village’s priest visits Michael after he creates a
barrier limiting the path. The priest claims that “the whole life of the
village depends on” the path for a spiritual connection to life and death. Mr.
Obi explains that “The whole purpose of the school is to eradicate just such
beliefs as that…Our duty is to teach your children to laugh at such ideas” (12
Modern…). Obi paints himself as extremely ignorant to the culture of this
village and the clash of missionary versus natives is present in his desire to
reform their way of life. His regulations interfere with their religion.
Two days pass following this interaction and a young woman
of the village dies during childbirth. Obi awakes the next day to see his
flowers “trampled to death” and a building “pulled down.” The irony present is
that the woman’s death is blamed on his blockade and thus his attempts at
beautifying Ndume have been thoroughly destroyed. Later that day a white
Supervisor visits and chastises Obi for creating conflict with his “misguided
zeal” (12 Modern…).
Ultimately, Obi’s ambitions lead to his demise. This was due
to a blatant ignorance regarding the spirituality of the villagers. Michael
Obi’s craving to make Ndume modern results in the death of a villager and thus the
downfall of his school. It can be inferred that Chinua Achebe created this
piece out of frustration with missionaries’ disrespect for Native African’s way
of life.
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